"Hurricane"

Written By: Miss Murdered

Disclaimer: I don't own the GW characters - am just borrowing to torment for my amusement

Rating: NC 17

Warnings: yaoi, m/m sexual relations of varying degrees of smuttiness and roughness, angst, language, dark Quat and Tro'

Pairings: 3x4x3, brief mentions of 1x2

Summary: "There is a moment that I think of when we are in bed together, before the reality sets in, when we are lying side by side and he is the Trowa I could be with and I am the Quatre he could love."

A/N: I admit, that I am not usually a fan of the 3x4 pairing as I don't see it working long term as the characters are so different. As such, if you like the pairing happy and non-angsty then this fic is not for you. If you want to read a darker version of the Quat and Tro' pairing then welcome…

The fic is inspired by the song Hurricane by 30 Seconds to Mars

Beta'd by ELLE as always.

"Hurricane "


Chapter Five

Would You Kill?

The remains of snowfall line the streets of Paris. It is cold and grey slush stains the gutters and the sky is clear as I walk from the Pigalle Metro, holding my bag tightly to me as I make my way through the seedier side of this city. I still find the perception I had of earth as a boy a little naïve, lacking, as I was taught about great architecture and culture. I was taught about the concert halls and galleries, the museums and the cathedrals. It doesn't take being long on earth to realise that great cities like Paris are huge divides of poverty and wealth, shaped by the millions who have lived and died in them. The Pigalle district is not only sex shops and cabaret, there is the history of art and of music that is interweaved into it but as I walk, it seems, that at night the only thing that is being sold is anonymous bodies and faceless men and women.

I arrive at the place Trowa keeps in Paris. I will not call it his home as none of these places are his home and each are just as indistinct as the last. I wonder if he misses the place in Johannesburg since Duo and Wufei got close enough to find him there. I wonder if he even cares beyond losing somewhere in that particular area that he could no longer use as a base for some stretch of time.

The landlady of the house lets me in despite not appreciating the late night interruption. My French is rusty yet I remember enough to be understood. He does not have an apartment in Paris, only a room in this house, the expense of it perhaps prohibitive unless he wanted to be located less centrally but Trowa always lived in the heart of places. Near airports and shuttle ports and rail stations. Near to an escape. He would always be about exit strategy, about working out how he could get out of a situation and I do not know how he can live like he does. How he's done it for years. This is his life and that is the reason I can never be in it.

I tell his landlady that I know his room and she nods and lets me find him, his door is locked as it should be and I try the handle once in some vain attempt. I rap my knuckles against the door and wait. I don't say his name yet I hear the sound of movement on the other side and soon there is a rattle and click of the lock. He only slides it open slightly and I notice the gun pointed at me. I frown. He is not usually this paranoid. He is usually coldly cocky, confident and now I worry that he is truly in trouble, that he has perhaps worked with the wrong people, that maybe someone wants him dead.

"Quatre," he says and I nod as I have nothing to say yet.

He doesn't say anything else as he opens the door enough to let me through and I smell the room for the first time. I decide I don't want to know how long he has been holed up in here. There are empty alcohol bottles on surfaces, remains of meals left to rot and fester and the only blessing is the window, open to let frigid air into the stifling conditions. His apartments, his rooms, are usually kept without anything in them yet here, now, there is an overabundance of things. Nothing, again, to identify him but enough human debris for me to question him.

I see magazines randomly thrown about, books, and as I follow him inside I realise the reason why his room is in the condition it is in. His walk is not his usual stride and the thin white t-shirt he wears clings to his back enough for me to see the bandaging there.

"You're hurt."

"It's nothing," he replies as he sits on the bed, placing the gun underneath his pillow, not looking up at me.

It's obvious he's just got up from it, covers rumpled, his hair endearingly messy in a way that I sometimes think of fondly when I'm alone. There is a moment that I think of when we are in bed together, before the reality sets in, when we are lying side by side and he is the Trowa I could be with and I am the Quatre he could love. It is a brief moment, a moment where he isn't a mercenary offering his special skill set for the highest bidder and I am not the heir to the Winner fortune. It is a moment where I move his hair to one side and study both of his eyes, when I kiss him despite morning breath and we pretend that we could have something. It is only a moment.
It isn't nothing, his wounds. He strips off his white t-shirt, the movement in his back awkward and I remove the bandages carefully to reveal his back is covered in what I can guess are the marks of barbed wire, some of the lacerations appear infected and I can see hastily applied stitches done by rough hands.

"You need a hospital," I say, knowing that he will reject that idea straight away.

He shakes his head and I reach out to touch a wound, feel him flinch and hiss. It is subtle, a small gesture but I am aware he is in more pain than he would admit to anyone but me. I know I cannot win – he will not go to a hospital, he will not risk that and if the gun is any indication, he is in a more dangerous situation than he usually is.

"Stay with me."

His eyes will not meet mine when he asks and I realise this is the most he has ever asked of me. That I have known him over ten years and he has never once asked anything of me. He could've asked me for money, he could've asked me for employment, he could've asked for my love and yet it is now, he asks.

"Yeah," I whisper and lean to kiss him.

We don't fuck that night, instead, I redress his wounds, search out and apply antiseptic to them, and when we fall asleep, he spoons against my back, his breath against my neck and I find myself believing he wants me.

I stay in Paris five days. I wonder idly what the company thinks of my departure, what rumours have passed around the offices of my whereabouts yet I only contact Rashid who sounds resigned on the other end of the line as I say I will be back in a few days. I have never done anything this risky with Trowa – never spent this long, never slept with him for so many consecutive nights – and it feels more illicit than any other encounter. I feel secluded from my life in his room in Paris and become accustomed to a routine, to having him with me constantly like I have not had since Peacemillion and that was a period filled with anger and fear and recrimination.

After the first night, after the first of my careful applications to his injuries, we fuck again but like we never have before. I am careful, avoiding his wounds, fearful of hurting him like I never have been and he is intense, he is open-mouthed kisses, he is hot breath and oddly tender touches. It feels like every second we touch will be our last and it is desperate but not angry. We don't hurt each other and I get used to him like this. In half light, in rough cheap blankets, we move against each other and I lose myself in his arms, in his body and I feel sparks behind my eyes every time I come.

Two days into my stay we start to leave his room and we walk the streets of Paris together – I loop my arm around his and we laugh at how we are acting. Normal. Like a couple and we slip through the streets and kiss in alleyways and I am confused by every moment. He buys me a scarf when I'm cold and ties it around my neck. We buy wine and cheeses that are difficult to pronounce and visit patisseries and I feel this is the vacation I've never had – the one my sisters demanded I have. Yet I am aware it will not last.

One night he asks me, I think I've been in Paris for four days but those days blur and I am unsure of days and time –

"Would you kill again?"

I don't answer straight away, I don't have that answer and I wonder if he purposefully asks that of me to bring us back to the reality between us. I am laid beside him, both of us on our sides and I reach out and touch those dog tags and frown.

"I would defend myself," I say, vaguely, unsure of what he wants from me. "Or those who are important to me."

He turns to lie on his back and I see his slight wince, the pain of those barbed wire slashes deep and his dog tags slide from my fingers. He doesn't say anything else and I assume he has fallen asleep, that he wants to avoid whatever this conversation is as much as he has avoided every single meaningful conversation we could have. The room feels too small for us and it is then that I wonder whether this time, this gentleness, the roughness gone from our fucking means what I fear – that it is his way of saying goodbye. Even as we've walked through the streets of Paris, he has carried a weapon, even as I sleep by his side, there is a gun underneath his pillow and I wonder what he is involved in – I think I could help. I imagine a scenario where I can help, where I can save him like I never could but instead I turn away from him and attempt to sleep. It surprises me when he speaks, low, quiet and I don't look at him. My gaze is towards the wall.

"It's the only thing I knew how to do after the war."

I want to say that there is much more he could do, much more he can do but I let him speak. Let him tell me his reasons.

"Now it's the only thing I can do."

"You have a choice."

He snorts under his breath. "Turn myself in? Prison?"

The words hang in the air and I think of Duo's warning – the rest of his life on an asteroid prison. A former Gundam pilot wouldn't be sent into the general population. That would be too high risk – for both Trowa and the other inmates.

"No," I answer, "you leave it behind and hide."

"I already do that," he says and I can hear the slight hint of sarcasm.

"From me," I qualify.

I want to say that I am his only link, that I would be the only way he'd be found and that if we broke off all contact then he would be free. New name. Somewhere deep in the heart of South America, Africa, Eastern Europe. That the men who chase him, that the men he is scared of and carries his weapon for would not find him if he wanted to hide, truly hide. And the only reason he will not go fully into hiding is me.

I feel his hand on my shoulder and I turn onto my back again and he doesn't speak, instead, he presses his lips to mine and slides on top of me, our bodies rocking each other, grinding and finding some rhythm we have never had. I reach up to those dog tags before we move any further, they bump against my skin often and I want to know what they mean.

"Whose were they?"

"Someone important," he tells me using my own words back at me and I don't understand the brief flash of hurt behind his eyes.

It is gone as his kisses are frantic and I forget my question after that, lost in pleasurable sensations as our bodies collide, and the last few days in Paris are spent without us talking about his injuries, about his job, about anything as it feels definitive. It feels like an interlude in real life. It feels like our end.

 

Chapter 6

Back to Miss Murdered's Fics

Back to GW Authors Index.